Give me stuff!
Say you’re strolling the orderly aisles of Target on your bimonthly bulk-item bender, when out from the Rubbermaid abyss pops a stately old codger who insists on talking shop.
His monologue is reasoned and somewhat insightful but absent any particular urgency; he just can’t compete with the alluring glow from those darned flat-screen TVs. Nevertheless, the geezer keeps pace with your cart, if not your fancies, and continues prattling away like a restrained but benign patriarch. (Think Andy Rooney on quaaludes.) “What we buy says a lot about who we are,” goes one of his refrains.
Not quite a Yoda of the mini mall, Atlantic Magazine contributor and Populuxe author Thomas Hine seems like a man incapable of leaving Ikea in less than five hours. I Want That! is his so-called “subcultural” history of how, what and why we buy. It begins with the agorae of ancient Athens and the fairs of medieval Europe and proceeds to the 19th-century department stores that defined their cities, such as Harrods of London. Hine concludes with no less ubiquitous a wonder than Wal-Mart. “Never before have so many goods come together from so many places at such low cost,” Hine gushes. “Never before has so much seemed so dull.”
Hine, however, is anything but dulled by the cornucopia of stuff whose acquisition, rather than manufacture, has become the backbone of our economy. He likens the political and economic freedom offered in a democracy to the freedom of choice offered in a superstore. At times, he seems poised to recommend the Bill of Rights be printed on every sales receipt.
I Want That! is a title that’s considerably more dynamic than the book’s content. Part of the reason the book feels like a stalking by a retail ethnographer is that it offers less analysis than restatements of the obvious. For instance, Hine argues that shopping has become so ingratiated into the fabric of our lives that it often defies analysis. Duh.
That Hine refrains from reflexive consumer bashing is admirable. However, it’s less than satisfying when, instead of assessing the claims of consumer critics, he merely dismisses them. Consumers are not dupes, he argues; they compare, research and often agonize before buying. Certainly, this is true of adults purchasing large-ticket items, but one wonders if the author has ever seen a 9-year-old blow through 20 bucks.
Much of the recent discourse on consumption is enmeshed in its environmental and geopolitical consequences. Witness the many campaigns against SUVs from such unlikely quarters as evangelical Christians (What Would Jesus Drive?) and NPR’s Car Talk consiglieres Click and Clack. And yet, so enraptured is Hine by the historical opportunity for citizens to choose and for the poor to have plenty (of junk), that he’s quite content to dismiss the dark underbelly of consumer society.
Hine’s principal assertion that buying is “primarily a practical expression of power” leaves something to be desired. This is because consumption is a one-sided story without its evil twin: production. By no means is the author required to agonize over the state of Third World manufacturing, but a rounded effort might at least address its implications.
Hine also seems oblivious to the nature of his beloved objects—namely, that they are ephemeral. How much of what we buy today is even remembered a year later? Even the most obsessive stereophiles or kitsch connoisseurs will hesitate to claim that what they own defines them. Perhaps when epitaphs start reading “I got the most from my Costco card” or “Check out my vintage Barbies,” this book will merit another read.