Stage Reviews
Criminal Minds Two escaped prisoners and a lady friend take refuge in a tacky miniature-golf course, closed for the season, in this odd yet absorbing comedy about small-time losers in “weird Florida.” There’s scheming, manipulation and flirtation going on at several different levels as the members of this strange little triangle size up their next moves. The show features funny dialogue with some interesting philosophical moments. There’s good acting by Floyd Harden, young Brent Bianchini and especially Lynn Baker, who’s a hoot in the hot-pink outfit by Nancy Pipkin. Kale Braden’s set, with a dinosaur, an alligator, and a tiki hut, is excellent.
River Stage, 7:30 p.m. Thursday, 8 p.m. Friday and Saturday, and 2 p.m. Sunday; $10-$18. Cosumnes River College, 8401 Center Parkway, (916) 691-7364. Through March 4. J.H.
The Gin Game Veteran actor and director Ed Claudio and actress Connie Mockenhaupt give solid performances as card-playing retirees in D.L. Coburn’s popular, durable, Pulitzer-winning script. Don’t be fooled by the light banter in the cheerful opening scenes; there’s darkness in the final act. This show marks the first season at the new Stage Nine Theatre in Old Folsom, which operates as a “showbiz store” by day and becomes a 45-seat performance space on weekends. Folsom has an affluent audience of potential theater-goers (without a lot of competition for live entertainment), and already supports a small restaurant scene. This new venture could provide an ingredient to complete the picture: quality theater in an intimate setting.
Stage Nine Theatre; 8 p.m. Friday and Saturday, and 3:30 p.m. Sunday; $22. 717 Sutter Street, Folsom; (916) 353-1001; www.backlottheatre.com. Through March 4. J.H.
Johnny Tremain The classic novel about a Boston teenager during the onset of the Revolutionary War is successfully transferred to the stage in this new musical. Sacramento playwright Richard Hellesen retains the danger in the colonists’ struggle for independence. Those Americans were taking a gutsy stand, and this show doesn’t sweeten the sometimes bitter, bloody consequences of the rebellion against Imperial Britain. Composer Noah Agruss skillfully adapts songs from the era, costumer Nancy Pipkin gives characters the right look, and director Buck Busfield guides 300-plus pages of novel into 90 minutes of performance. The cast, six professional actors plus three community actors, portrays a cavalcade of characters in this ambitious production. The show is primarily geared toward teens and their parents, but savvy youngsters will get it.
Children’s Theatre of California; 7 p.m. Friday, 1 p.m. and 4 p.m. Saturday, and 1 p.m. and 5 p.m. Sunday; $15-$20. 2711 B Street, (916) 443-5300, www.bstreettheatre.org. Through March 11. J.H.
Les Liaisons Dangereuses Depraved minds are celebrated in this wickedly witty and lascivious look into the demented sexual parlor games of 18th century French aristocracy. Capital Stage unveils this delicious tale of debauchery, lust, treachery and revenge—all shrouded under the deceptive cloak of romance and love. Two nobles spar by using seduction as sport, daring each other in sexual conquests, with true love being a deal breaker. The production glows with memorable performances, handsome French salon sets and gorgeous period costumes and hair. This show contains brief nudity though, absurdly, only the actresses appear au naturel.
Capital Stage; 8 p.m. Thursday and Friday, 7 p.m. Saturday and 2 p.m. Sunday; $20-$24. Delta King, 1000 Front Street in Old Sacramento; (916) 995-5464; ww.capitalstagecompany.com. Through March 11. P.R.
The Vagina Monologues SacActors.com revives its long-running show. Reviewing it in 2005, Patti Roberts wrote, “This play with the gutsy title takes a taboo subject matter—a basic body part of every woman—and makes it acceptable to talk about. For this production by SacActors.com, three actresses trade off monologues in front of deep-red velvet panels. The performances examine not only the word, but also the body part, and all the shame, power, fear and beauty that vagina owners carry with them. The play is great fodder for after-show conversations.”
Geery Theater; 8 p.m. Friday and Saturday, and 2 p.m. Sunday; $14.50-$17.50. 2130 L Street, (916) 451-4152. Extended through March 31. P.R.
Three Messiahs Walk into a Bar This new musical is based on the Bible; Men Are From Mars, Women Are From Venus; and vaudeville with a Jewish tilt. The Angel Gabriel tells corny jokes. Gabby God nibbles snickerdoodles. The Virgin Mary, frustrated with her inept suitor, Joseph, sings “Men Are Dumb”—a song that could become an anthem. The music by Matt Hanf and Brian Jebian flirts with blues, gospel and flamenco. Hanf’s script is enthusiastic and ingratiating, even when it’s sophomoric. Three Messiahs isn’t stunningly original and this small production is uneven, but the show connects at a people-pleasing, feel-good level. Pretty successful for a rookie effort. The show also reflects artistic director Thomas Kelly’s decision to use his club-like venue to showcase new scripts by emerging local writers.
Thistle Dew Dessert Theatre, 8 p.m. Friday and Saturday, with a 2 p.m. matinee on March 4; $24 includes dessert. No show on March 3. 1901 P Street, (916) 444-8209. Through March 10. J.H.
