Kara Maria’s paintings at B. Sakata Garo are complicated and electric
If scientists could record a visual representation of human emotions, it seems plausible that they would look like Kara Maria's paintings. The San Francisco artist's nonrepresentational geometric shapes are exuberantly hued, well-defined and sharp-edged, and they are interrupted by euphoric swirls or by vague, cloudy patches and an occasional flash of a representational item, like a dog or a fly. They're layered, complicated and electric—just like the workings of the mind. Until scientists figure out how to live stream what human emotions look like and project them on a wall, Maria's work may be the closest thing we've got.