Xicana rock

Punks Michelle Cruz Gonzales and Alice Bag bring their tales to the page

Michelle Cruz Gonzales (left) and Alice Bag.

Michelle Cruz Gonzales (left) and Alice Bag.

Photo courtesy of Michelle Cruz Gonzales

Xicana memoirs:
The Spitboy Rule available at pmpress.org

Violence Girl available at feralhouse.com (e-version) and amazon.com

Pipe Bomb for the Soul is available at pipebombforthesoul.blogspot.com (e-version) and amazon.com

In The Spitboy Rule: Tales of a Xicana in a Female Punk Band, Michelle Cruz Gonzales describes growing up feeling like an outsider, “as a Mexican American, a Xicana in a hick town, I was never allowed to forget that I didn’t fit in, that I muddied their waters. I would show them.”

Gonzales, drummer for the empowering 1990s punk band Spitboy, and Alice Bag, singer of the seminal 1970s Los Angeles band The Bags, have each written memoirs about their experiences being Xicana women in the punk scene, a place where, historically, people who feel out of place in “normal” circles gravitate, a community of people who feel othered. Still, there are biases that seep into punk subcultures, and people of color, women and the LGBTQ community often have othering experiences.

In their books, Bag and Gonzales share stories from within a scene still dominated by heterosexual, cis-gendered white men.

Bag has authored two books: Violence Girl: East L.A. Rage to Hollywood Stage, a Chicana Punk Story and Pipe Bomb for the Soul. In Violence Girl, Bag describes her first impression of the punk scene as “a type of kinship that had been missing for most of my life, a sense of community that I had never known, feeling as I always had [and still often do] like a misfit, a weirdo, an outcast.”

Both Bag and Gonzales found a home in punk, yet both were still very aware that as Xicana women, their experiences were still very different. “Alice wrote what is probably the first memoir by a Latina in punk, and I wrote the second,” Gonzales said. “We are from different scenes and different punk eras, but we’re both from Los Angeles, and violence in our families shaped our lives—which all probably had a lot to do with why we got into punk.”

Gonzales, now a professor at Las Positas College in Livermore, released The Spitboy Rule in 2016. It comprises 21 essays that come together to tell the story of how she came to punk, and endured years as a drummer being told “you hit hard for a girl.”

Though their stints in the punk scene were decades apart, Bag says that she and Gonzales have a wealth of shared experiences.

“We’re from different times and different places, but we’re both steeped in Mexican traditions and live by our punk ethos,” Bag said. “Hearing both of us read excerpts from our stories can help the listener understand the quality and scope of the Chicana punk experience.”

“In some ways, our books are not about us,” Gonzales added, “but about how others react to people like us.”