Zombieland: Double Tap
Since the release of the first Zombieland back in 2009, much has happened in the entertainment land of the undead. A little show called The Walking Dead premiered a year later and, sadly, the zombie maestro himself, George Romero, passed away. A decade later, Emma Stone has an Oscar for La La Land, Woody Harrelson got his third nomination in that stretch, and Jesse Eisenberg was nominated for The Social Network. Abigail Breslin also had an Oscar nom before the first film for Little Miss Sunshine. With all of this Oscar business, might this crew of performers opt for more snobby fare rather than blowing up ghoul skulls for laughs? Nope, director Ruben Fleischer returns with the whole crew—shockingly—intact for Zombieland: Double Tap, a film that does little to reinvigorate the genre, but still delivers plenty of laughs and zombie gore to merit a look. It’s basically the same as the first movie, with a little less originality, but some more laughs thanks to a new costar. The zombie killers have taken up residence in the White House, with Wichita (Stone) and Columbus (Eisenberg) in a relationship that requires them to cover up the eyes on the Lincoln portrait when they bed down at night. Columbus has his sights set on marriage, while Wichita still has some commitment issues. Tallahassee (Harrelson) is still searching for Twinkies with a new goal to visit Graceland while leaving shredded zombies in his wake, while Little Rock (Breslin) wouldn’t mind having her first boyfriend ever at the age of 22. Situations arise so it all becomes a road trip again, one that eventually leads to Graceland—sort of—and a commune called Babylon. It’s a basic sequel with enough laughs and genre fun to earn a look.