While director Luke Scott definitely shows he’s inherited some of his dad’s helming chops, for Morgan, an ultimately derivative script hampers his feature directing debut. The son of the great Ridley Scott shows some major visual flair and an ability to draw good performances from his cast, but the movie itself, with Dad producing, is a pastiche of other science fiction and horror films, most notably his dad’s own Blade Runner. Morgan (Anya Taylor-Joy) is an artificially created humanlike being. (I guess that’s the best way to describe it.) She’s only five but looks like a teenager and has superior intellect and physical skills. She’s been genetically engineered to age quickly, and while she is basically a well-meaning entity, her behavioral wires get a little crossed up sometimes, resulting in violent “errors.” Morgan goes apeshit when she’s not allowed outside. This results in the character played by Jennifer Jason Leigh being on pain meds for the whole movie with a big, bloody gauze on her eye. The “corporation” that helped create Morgan sends icy company woman Lee Weathers (Kate Mara) out to assess the matter and recommend a course of action. It all leads up to a lame and unnecessary twist that diminishes the story and overall quality of the film. Still, Taylor-Joy is good in the title role, and Scott certainly can make a good-looking movie.