Etchings upstairs

William Hogarth, “A Harlot’s Progress, Plate I: Moll Arrives in London,” etching and engraving, 1732.

William Hogarth, “A Harlot’s Progress, Plate I: Moll Arrives in London,” etching and engraving, 1732.

“Would you like to come upstairs and see my etchings?” was, of course, the kind of veiled invitation to naked abandon that was popular in a less vulgar age, before hormonally stimulated men and women learned the effective simplicity of being much more forthright and direct. William Hogarth (1697-1764) was a painter who also engraved plates; these engravings contain a number of symbolic references to the mores of his day. Which kind of makes Hogarth an editorial cartoonist in 18th-century London, at the time a city smaller than current-day Sacramento. Some 66 of his engravings are on display in the show The London Engraver: Engravings by William Hogarth, at the Crocker Art Museum, 216 O St., through September 22. Open Tuesday through Sunday 10 a.m.-5 p.m.; until 9 p.m. on Thursday, $6 (adults), $4 (seniors), $3 (students w/I.D), free (kids under 6; everyone on Sunday from 10 a.m.-1 p.m.).